Having not yet crossed one of the biggest tourist draws from my Korea bucket lists, I ventured out into the woods of Gyeongbuk this Chuseok to soak in the soothing atmosphere of Haeinsa, one of Korea’s three jewel temples.
My year end review of the shots that made 2014 my best year yet in travel photography. Read on to find out why (and which images) made it such a special year for me here at the Lost Lens, and to find out my promise for next year.
PIK Magazine, South Korea’s only English-print photography magazine, picked out one of my shots for their Best of 2014 edition. Click to see the image and to find out what else made 2014 such a great year at the Lost Lens.
I caught up with Korea-based Canadian photographer Jackson Hung about his very first photo book, printed through the popular Blurb.com platform. Read on to find out how easy it is to venture into print yourself and what you can expect along the way.
After cutting my teeth with the camera in South Korea, I pick out 5 of the peninsula’s most influential photographers, all of whom have helped me no end. While there is an almost indefatigable pool of talent in Korea, these guys are at the top of their game.
I’ve never been one of those photographers who liked to haul a lot of gear around, and so I decided to explore whether it would be possible to produce sweeping scenes without the use of a dedicated wide-angle.
I revisited an abandoned dwelling in the heart of Tongyeong, South Korea. Read on for still life photography from the eerie scene and for a write up from a friend and shooting partner of mine, Joshua Herrin, in the first guest post on The Lost Lens.
This aerial photo from Daegu’s Seomun market was my favourite shot of the past weekend. PIK Magazine asked me to write up the story behind the shot; I dish out my usual helpings of advice as well as some technical tips and tricks.
This collection of images wasn’t borne out of intentions of creating a project, but of my love of losing myself above the clouds. As I explored more of the nation’s rugged tops, it made sense to document a collection of South Korea’s lofty escapes.
‘Bridging the Gap’ is a small monochrome project shot on Somaemuldo, a beautifully rugged, remote island off the south coast of the Goseong Peninsula, Gyeongsangnam Province, South Korea.
Photographing Siem Reap’s first Opera: A Prelude to Mozart at Angkor
A Week-long Review of Crowdfire for Instagram and Facebook: Social Media for Photographers
A Nervous Nikon Guy: I’m Probably Not the Only One
Update: Angkor Wat Ticket Prices Increase
Take Stunning Long Exposure Photographs of Waterfalls